Chopin – Etude in F Minor Op. 25 No. 2 | Complete Piano Tutorial



Here is my complete tutorial on how to learn, practice, and play Chopin’s Etude Op. 25 No. 2 in F minor (The Bees).

In this tutorial, I break down each section with separate hands and both hands, explaining pedaling, phrasing, timing, specific exercises, and more.
Good luck!

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Contents:
0:00 Intro
0:58 1st Part – Right Hand (Wrist motions, Expression)
5:44 1st Part – Left Hand & Both Hands
9:28 Middle Part (Development)
14:14 Last Phrase & Coda
17:41 Pedals
18:56 Play-through slower tempo (with pedal markings)
21:04 Increasing speed (Strategies & 4 exercises)
23:46 Rubato
26:46 Playthrough / Whole Piece

Special thanks to Coen van Dongen for making it possible to play and film on the antique Pleyel!
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#chopin #op25no2 #etude

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27 Comments

  1. Watching this tutorial was like a trasure trove. You understand the level of the tutorial already from the opening distinction of the different types of wrist motion, this is stuff you find nowhere else, and it is a game changer! I found the level of direction on all aspects of execution precious and inspiring. Many thanks for this work!

  2. You certainly couldn't have put all of the essential details more profoundly and helpfully!
    A great treasure!

    It would mean the world if such guidance from you could be here to see on Chopin's waltzes and Mazurkas as well.
    Most specially the Waltz in C# minor, op.64 no.2

  3. I mostly agree on everything but the part from the left hand. Chopin is extremely well known for his constant singing in his music. Therefore, the right hand is not the one singing, it’s a whisper in the background for the left one. Makes more sense to me that the first note is the bass and the second note in each group of three is the singing note. Probably I’m wrong

  4. Interesting description by Schumann as charming, dreamy, and soft, in contrast to its "Bees" nickname. As you play it at speeds above 100, it also ceases to be p. To achieve this tempo, you need your piano action well regulated. I even sold my Yamaha S6 SH, which had a silent system that couldn't be regulated precisely, and got a purely acoustic Bösendorfer to play it. Yet, after many years, I still find it challenging!

  5. Totally incorrect interpretation of the rhythm and meter, considering the fact that Chopin clearly indicates a duple meter. The RH needs to be maintained as triplets as opposed to feeling a 6/8 feel from the LH triplets. The LH is the cross rhythm and should not be felt as the beat, which is what makes this etude much more difficult than it seems. It is not two notes in the RH against one note in the LH. It is the 1+2+ feel of the triplets in the RH against the cross rhythm in the left. Please stop teaching this etude incorrectly!

  6. What a beautiful tutorial this is… although i am just a beginner… hearing and then actually seeing the advices and motion unfold has unlocked a new a way of thinking for especially with the left hand dynamics

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