This is What “Always” Happens Before a Market Crash



The stock market is still near record highs, AI spending is still exploding, and millions of retirement accounts are still pouring money into the biggest tech companies on Earth.
But some of the world’s most successful investors are quietly moving the other way.

This video explores the warning signs that often appear before major market crashes. Billionaire investors reducing exposure, insiders selling shares, record index concentration, massive corporate spending, rising debt, and valuations increasingly dependent on future profits that haven’t arrived yet.
The Magnificent Seven now dominate the S&P 500, meaning even supposedly diversified retirement funds are heavily exposed to the same handful of AI-driven companies. Meanwhile, hedge funds and billionaire investors have been cutting tech positions, building cash reserves, and rotating into gold, commodities, infrastructure, and other defensive assets.

None of this guarantees a crash tomorrow, but history shows that the most dangerous moment can come when everyone still believes the boom can’t end. Because by the time ordinary investors realize the exits are getting crowded, the smartest money may already be gone.

00:26 – The Magnificent Seven AI Bubble
02:22 – Big Tech’s $750 Billion Spending Spree
02:54 – Why the Smart Money Is Heading for the Exits
03:26 – Billionaires Start Rotating Out of Tech
04:17 – Buffett’s $397 Billion Warning
05:28 – Tech Insiders Start Cashing Out
05:55 – The $600 Billion AI Spending Gap
07:29 – Big Tech Is Burning Through Its Cash
08:32 – The Antitrust Threat
09:50 – The Magnificent Seven Concentration Risk
11:07 – The $800 Billion Circular Financing Loop
12:30 – Your Index Fund Isn’t Really Diversified
13:15 – How Your 401(k) Gets Trapped
13:59 – Why Wall Street Always Gets Out First
14:32 – The Great Wealth Transfer

Narrated by: Josh Risser

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41 Comments

  1. If you have a 401k, the good news is that you can choose where exactly your money gets invested. If you're concerned about a possible stock market crash, it's possible to choose funds that have no direct stock market exposure. It seems that a lot of people are not aware of this.

  2. I dont get why theres so many of these videos. Please just use the time to make videos of other topics, stop trying to capitalize for your monetary gains on such topics…

  3. iiiiitsss the DOOM AND GLOOM SHOWWWWWWWWW!!! where EVERY VIDEO IS MADE TO RAGEBAIT YOUUUUUUU!!!!! 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣 aaannndddd unfollowed + never recommend channel….

  4. One reason criticism of The Infographics Show may appear less visible than expected is that many viewers are reluctant to openly attack a large educational channel, especially one that frequently covers wars, deaths, disasters, tragedies, and other emotionally serious subjects. Criticizing the channel itself can easily be mistaken for dismissing the seriousness of the topic, while its enormous audience and established reputation can also discourage people from entering hostile comment sections simply to challenge its credibility. Many dissatisfied viewers are therefore more likely to quietly stop watching than to publicly argue about the channel.

    I used to see The Infographics Show as a convenient and entertaining way to get a basic introduction to complicated subjects. However, over time, I have become increasingly uncomfortable with the direction of the channel and with the way it presents information.

    My biggest concern is not simply the visual style or the use of AI. It is the overall reliability of the channel as an information source.

    The channel frequently covers extremely complicated subjects such as war, geopolitics, economics, crime, disasters, science, and historical events. These are topics that require careful sourcing, context, uncertainty, and nuance. Yet many videos reduce them to very simple narratives, sometimes presenting one interpretation as though it were the obvious or inevitable conclusion.

    Simplification is understandable in an educational video. Oversimplification is different. When important variables, competing interpretations, limitations, or uncertainties are removed, viewers can easily walk away feeling well informed while actually receiving a distorted understanding of the subject.

    This becomes especially concerning when hypothetical scenarios are involved. Speculation, projections, and assumptions are sometimes presented with the same confident visual and narrative language used for established facts. For an average viewer who does not already know the subject, it can be difficult to tell where verified information ends and storytelling begins.

    The presentation style makes this problem even more significant. Calm narration, polished graphics, maps, statistics, and an educational visual format naturally create an impression of neutrality and authority. However, presentation should not be confused with objectivity. A video can look professional and balanced while still containing selective framing, questionable assumptions, incomplete context, or political bias.

    The channel's frequent reliance on alarming subjects is another issue. War, nuclear conflict, social collapse, disasters, dangerous technologies, geopolitical confrontation, and other frightening scenarios obviously attract attention. There is nothing inherently wrong with discussing these topics, but when dramatic framing, thumbnails, and titles repeatedly exaggerate uncertainty or emphasize worst-case scenarios, education can gradually turn into fear-based engagement.

    At that point, the viewer is no longer simply being informed. Anxiety itself becomes part of the product.

    The enormous volume of content also raises legitimate questions about research and quality control. Producing large numbers of videos about highly specialized subjects makes it difficult to believe that every topic receives the level of expert review and fact-checking that it deserves. People who are familiar with particular subjects have repeatedly noticed questionable claims, outdated information, oversimplification, or outright mistakes.

    That creates a serious credibility problem: if viewers can recognize obvious problems only when the channel happens to discuss something they already understand, how are they supposed to evaluate its accuracy when it discusses something they know nothing about?

    More recently, I have also become disappointed by the channel's visual direction. The Infographics Show originally had its own recognizable, relatively simple infographic aesthetic. In more recent content, however, some thumbnails and visuals appear strikingly similar to the visual language associated with channels such as Kurzgesagt.

    The issue is not that any one color palette, flat illustration technique, character design, or animation method belongs exclusively to one creator. The concern comes from the cumulative resemblance: composition, lighting, simplified characters, saturated colors, space imagery, visual hierarchy, and thumbnail design can sometimes feel less like inspiration and more like an attempt to reproduce an already successful visual identity.

    Concerns about AI make this even more uncomfortable. I do not think it is responsible to state as an established fact that every questionable image, script, or voice is AI-generated without evidence. However, the increasingly automated and mass-produced appearance of some content understandably causes viewers to question how much human review is actually taking place.

    This is particularly noticeable with localized content. If a large American channel expands into another language primarily to increase reach and revenue, the minimum expectation should be competent translation, natural narration, and proper quality control. Poorly reviewed AI-like narration or awkward localization gives the impression that the audience is being treated as an additional market rather than as viewers deserving the same production standards.

    That feels especially inappropriate for a channel that regularly discusses death, war, tragedies, victims, disasters, and other serious human experiences. When such subjects are packaged using sensational thumbnails, automated-sounding narration, weak verification, or mass-production techniques, the result can feel disturbingly detached from the gravity of the material.

    For me, this is why criticism of The Infographics Show should not simply be dismissed as hatred toward a popular channel.

    There are legitimate concerns regarding factual accuracy, source quality, oversimplification, neutrality, political framing, the distinction between fact and speculation, sensationalism, fear-based marketing, quality control, content volume, localization, visual imitation, and possible overreliance on automated production.

    There are probably also many viewers who share some of these concerns but never leave angry comments or participate in online discussions. Some simply stop watching. Others may hesitate to criticize a channel that frequently covers serious or tragic subjects because they do not want criticism of the production itself to be mistaken for disrespect toward the subject.

    The Infographics Show has an enormous audience, and that makes these issues more important, not less important. When millions of people use a channel as an accessible source of information about subjects they may know very little about, accuracy, transparency, careful framing, and responsible production should be treated as fundamental obligations rather than optional improvements.

    The channel is perfectly entitled to produce entertainment. But if entertainment is presented in the visual language of authoritative educational content, viewers are equally entitled to expect substantially higher standards of research, distinction between fact and speculation, quality control, and intellectual honesty.

  5. Many tech stocks 300$+ yet the companies havent produced or sold anything. Market is gping to crash likely before end of this year. Stovk prices reuly dont reflect a companies value. When markets crash is when the smsrt money buys up. Its an opportunity… xrp, xlm, hbar after crash… time to buy

  6. I have been investing for 6 years, now. This time feels different, it's just a matter of time. Might be tale a month, a year or 3 but this is will take the entire market down, 40%.

  7. it would really help if we would stop calling tesla a tech company. they are a car company they gets coerced by it's owner into making tech things at the cost of their main product.

  8. if you don't see how this is clearly propaganda i don't know how to help you, this channel has ben uploading anti AI bs for months now. Please keep in mind that there is a company that is paying there's "creators" to talk shi about AI. Its sad to see ngl. this channel is compromised. hes taking money from anyone who wants to sell you their veiws and values, and getting paid to spread this misinformation.

  9. Such a one sided video that can deceive people who don't do their own research.

    All this mention about Warren Buffett but no mention Berkshire bought billions worth of Alphabet shares in 2026.

    No mention that Vistra is in energy which is another bottleneck in the AI race therefore, the billionaire buying Vistra is not betting against AI.

    The list goes on…such a click bait title that feeds into a narrative because that's what everyone is pushing.

    Makes me question how one sided the other videos on this page are on matters I do not follow closely.

  10. Did Google buy Tesla or did you boring guys just need a hook by mentioning Tesla? You will get your "We told you" moment, but it gets boring… day in day out… the AI bubble bursts…

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